Breaking Film Reviews Hannah Tran Spotlight Film Review: “Wrath of Man” Is Best At Its Most Brutal May 6, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming Summer April 15, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Own the Room” Is an Inspirational Story with a Weak Approach March 11, 2021
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “My Beautiful Stutter” Is Cinematically Unremarkable, but Socially Vital March 10, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest Characters February 12, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Sam Levy, Cinematographer of “Mayday” February 4, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “In the Same Breath” Expertly Dismantles the Notion of National Exceptionalism February 2, 2021
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Virtually) at Sundance 2021 January 25, 2021