Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Shadow of Violence” Provides Solid Crime Story, Though One That May Not Stand the Test of Time July 30, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre Tropes July 23, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Impetigore” Is Not as Much of a Horrific Experience As a Twisted Family Tale July 22, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Pool” Grips the Audience and Engages Them in High Stakes and Effective Thrills July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Adam Vaughn Featured Interviews Spotlight Interview with “The Beach House” Director Jeffrey A. Brown July 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Beach House” Makes for an Excellent Directorial Debut, with a Unique, Chilling Take on the Horror Genre July 8, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Denise Ho: Becoming the Song” Tells of Timely and Impactful Changes in Hong Kong and China Today, While Juggling the Artist’s Personal Journey July 1, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “House of Hummingbird” Exercises Superb Cinematic Conventions in a Timeless and Relative Coming-of-Age Tale June 25, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “You Should Have Left” Delivers Surprising New Techniques to Thrill, While Leading Us Down an All Too Familiar Road June 18, 2020
