Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Shadow of Violence” Provides Solid Crime Story, Though One That May Not Stand the Test of TimeJuly 30, 2020
Adam VaughnFilm ReviewsSpecialty ReleasesSpotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre TropesJuly 23, 2020
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Impetigore” Is Not as Much of a Horrific Experience As a Twisted Family TaleJuly 22, 2020
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “The Pool” Grips the Audience and Engages Them in High Stakes and Effective ThrillsJuly 21, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror ConventionsJuly 20, 2020
Adam VaughnBreakingFilm ReviewsSpecialty ReleasesSpotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi ComedyJuly 14, 2020
Adam VaughnFeaturedInterviewsSpotlight Interview with “The Beach House” Director Jeffrey A. BrownJuly 9, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “The Beach House” Makes for an Excellent Directorial Debut, with a Unique, Chilling Take on the Horror GenreJuly 8, 2020
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Denise Ho: Becoming the Song” Tells of Timely and Impactful Changes in Hong Kong and China Today, While Juggling the Artist’s Personal JourneyJuly 1, 2020
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “House of Hummingbird” Exercises Superb Cinematic Conventions in a Timeless and Relative Coming-of-Age TaleJune 25, 2020
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “You Should Have Left” Delivers Surprising New Techniques to Thrill, While Leading Us Down an All Too Familiar RoadJune 18, 2020
