Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Body Brokers” Takes Its Time with a Stunning ConceptFebruary 18, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Blithe Spirit” Wrestles with Nuanced Cinematic Conventions and Theatrical RootsFebruary 18, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of RepetitionFebruary 11, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and PayoffFebruary 8, 2021
Adam VaughnBreakingFilm ReviewsSpecialty ReleasesSpotlight Film Review: For All Its High Concept, “HellKat” Delivers All the Wrong MovesFebruary 1, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Penguin Bloom” Breathes Deep Emotion, with Touching Performances Yet Some ImperfectionsJanuary 26, 2021
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Derek DelGaudio’s in & of Itself” Is Spectacular As Visual-Art Performance, If Less As Live Video-RecordingJanuary 21, 2021
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight Film Review: “Stallone: Frank That Is” Tells a Mostly Unknown Perspective on a Famous Celebrity Icon … and His Brother!January 18, 2021
Adam VaughnFeatured SpecialtyInterviewsSpotlight Interview with “Climate of the Hunter” Director Mickey ReeceJanuary 12, 2021
Adam VaughnFeatured SpecialtyFilm ReviewsSpotlight While Innovative, “Go/Don’t Go” Is Far Too Monotonous to Be Easily RememberedJanuary 11, 2021
