Christopher Llewellyn Reed | Film Festival Today

Film Review: “Glass Onion: A Knives Out Mystery” Mostly Proves Its Case

December 22, 2022

Film Review: “The Pale Blue Eye” Too Often Sleepwalks Through Its Mystery

December 22, 2022

Film Review: This “Babylon” Overflows with Dramatic Decadence

December 21, 2022

Film Review: The Armenian Genocide Comes to Vivid Life in Beautiful “Aurora’s Sunrise”

December 19, 2022

Film Review: In “Bardo: False Chronicle of a Handful of Truths,” the Director Swallows His Own Tale*

December 16, 2022

Film Review: The Many Themes of “Empire of Light” Lurk in Dramatic Shadow

December 15, 2022

Film Review: “Avatar: The Way of Water” Drowns in Incoherence

December 14, 2022

Interview with “Second Chance” Director Ramin Bahrani

December 14, 2022

Film Review: Though “Retrograde” Often Stuns, It Needs Retrofitting

December 8, 2022

Film Review: “Scrooge: A Christmas Carol” May Not Impress, but It Mostly Diverts

December 1, 2022

Sundance Review: “Animalia” Explores Unsettling Beauty
By Christopher Llewellyn Reed
January 31, 2023
Animalia (Sofia Alaoui, 2023) 3 out of 4 stars. Director Sofia Alaoui’s debut feature, Animalia, is often a deliriously enigmatic work of art, weaving in and out of direct confrontations with meaning in ways both tantalizing and frustrating. Buoyed by a gripping central performance from actress Oumaïma Barid, the movie places her character, Itto, in dire circumstances when she is at her most vulnerable, pregnant and alone. Layering ... >>
Sundance Review: “Infinity Pool” Playfully Wades Through Perversion
By Hannah Tran
January 30, 2023
Infinity Pool (Brandon Cronenberg, 2023) 3 out of 4 stars. I had the great displeasure of seeing Brandon Cronenberg’s previous film, Possessor, at 2020’s Sundance Film Festival. It’s not that I disliked the story about an assassin who invades others’ bodies from afar to fulfill her kills; I simply couldn’t stomach the gore-fest as it unraveled onscreen, which I’m sure was the intention. Returning to Sundance with his NC-17 cut of his latest ... >>
Sundance Review: Gentle “Blueback” Is a Call to Environmental Arms
By Christopher Llewellyn Reed
January 29, 2023
Blueback (Robert Connolly, 2022) 3 out of 4 stars. Based on Australian author Tim Winton’s 1997 novella of the same name, the new film Blueback, from writer/director Robert Connolly (The Dry), offers a gentle, occasionally thrilling, paean to nature conservation that is now more needed than ever. We jump back and forth between the present and the past as Abby (changed from a boy named Able in the book) remembers the events of her childhood that ... >>
Sundance Review: Mockumentary “Theater Camp” Is Hilarious and Heartfelt
By Hannah Tran
January 29, 2023
Theater Camp (Molly Gordon/Nick Lieberman, 2023) 3 out of 4 stars. It’s a weird feeling to be in the middle of watching a movie for the first time and already get the sense that it’s destined to be a cult classic, but that’s exactly what I felt when watching the co-directorial debut of Nick Lieberman and Booksmart actress Molly Gordon’s Theater Camp. Spotlighting the story of a financially ruinous theater camp’s fight to stay afloat ... >>
Sundance Review: “Fair Play” Is an Uncomfortable but Gripping Take on Gender and Careerism
By Hannah Tran
January 28, 2023
Fair Play (Chloe Domont, 2023) 3½ out of 4 stars. Luke and Emily are two ambitious young professionals at the same cutthroat hedge fund. They are also in a secret relationship. Following an unexpected promotion, Luke and Emily’s relationship unravels with extreme consequences. This is the story of writer/director Chloe Domont’s Fair Play. Led by two star performances, Fair Play is an uneasy feature directorial debut that demonstrates Domont’s ... >>