Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: This Frothy “Emma.” Entertains, If Nothing Else March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Delightfully Odd World-Building of “Onward” Dazzles More Than It Doesn’t March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Often Absurd “The Invisible Man” Still Thrills with Chills February 27, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Greed” Is Not Good February 27, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Portrait of a Lady on Fire” Offers a Searing Period Drama of Female Agency February 26, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: The German Escape Thriller “Balloon” Soars February 20, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: “Beanpole” Sprouts a Beautiful, Mournful Elegy February 13, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Downhill” Aims High and Soars February 13, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Interviews Sundance Sundance 2020 Interview with “The Assistant” Director Kitty Green February 11, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: Uneven but Entertaining “Birds of Prey” Is Best When the Women Get Together and Get Wild February 6, 2020
