Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: The Visual Splendor of “Montana Story” Fails to Compensate for Empty Interior May 24, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Sam Raimi Returns to Marvel with “Doctor Strange in the Multiverse of Madness” May 6, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Shepherd” Guides Its Audience to Apathy May 5, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Escape the Field” Boasts No Original Concept and Only Minor Thrills May 5, 2022
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Hatching” Births a Fascinating Monster Within a Flawed Story April 28, 2022
Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage Maryland Film Festival Series Spotlight Series Review: Though Not Without Script Flaws, “We Own This City” Engages and Horrifies Throughout April 25, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In “9 Bullets,” Idiotic Supporting Characters Damage a Strong Protagonist April 21, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Bad Guys” Are Better Than Bad April 20, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: Viking Epic “The Northman” Delivers a Gripping, If Flawed, Tale of Revenge April 20, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Dual” Overuses Its Sarcastic Tone to the Point of Annoyance April 14, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: An Abysmal Central Performance and a Messy Conclusion Sink Otherwise Compelling “Reed’s Point” April 11, 2022
