Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Mortuary Collection” Reestablishes the Horror Anthology Archetype with a Fun and Creepy Tone October 14, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Complex: Lockdown” Deviates from its Interactive Video Game Roots and Suffers the Consequences October 13, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Forty-Year-Old Version” May Be Long of Tooth, but Still Bites Hard October 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Cleansing Hour” Is a Supernatural Thrill Ride that Grabs the Audience and Refuses to Let Go October 8, 2020
Breaking Film Reviews Melanie Addington Spotlight Film Review: “The Glorias” Often Ms. the Mark October 2, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Emily in Paris” Offers a Frothy, if Lightweight, Confection for All to Savor October 1, 2020
Breaking Film Reviews Patrick Howard Spotlight Film Review: Amateur Filmmaking Drowns Redeeming Qualities of “Tar” October 1, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Death of Me” Falls Short of Coherence Where It Succeeds in Suspense and Mystery October 1, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Scare Me” Is More Parody of Horror Than Decent Ode to It September 30, 2020
Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage New York Film Festival Spotlight Christopher Llewellyn Reed’s Take on First Two Weeks of NYFF58 September 29, 2020
