Breaking Film Reviews Patrick Howard Spotlight Film Review: “The Way Back” Rushes to the End of Court but Only by the Strengths of Ben Affleck March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: This Frothy “Emma.” Entertains, If Nothing Else March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Delightfully Odd World-Building of “Onward” Dazzles More Than It Doesn’t March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Often Absurd “The Invisible Man” Still Thrills with Chills February 27, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Greed” Is Not Good February 27, 2020
Breaking Film Reviews Matt Patti Film Review: “The Call of the Wild” Tells an Inspiring Dog’s Tale, but Bites off a Bit More Than It Can Chew February 20, 2020
Breaking Featured Festivals FFT Festival Coverage Film Reviews Hannah Tran Sundance Sundance 2020 Review: “The Night Clerk” Never Lives up to Its Premise February 20, 2020
Breaking Film Reviews Patrick Howard Film Review: LaKeith Stanfield and Issa Rae Develop the Overly Subdued “The Photograph” February 14, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Downhill” Aims High and Soars February 13, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: Uneven but Entertaining “Birds of Prey” Is Best When the Women Get Together and Get Wild February 6, 2020
Breaking Christopher Llewellyn Reed Festivals Film Reviews Sundance Sundance 2020 Review: “The Assistant” Explores the Crushing Power of Abuse February 6, 2020
