Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage Sundance Sundance 2020 Review: Whimsy Saves the Day in “Timmy Failure: Mistakes Were Made” January 30, 2020
Breaking Film Reviews Matt Patti Film Review: “The Rhythm Section” Doesn’t Quite Hit Its Beat January 30, 2020
Breaking Film Reviews Matt Patti Film Review: “The Gentlemen” is a Brash, High-Energy, and Wildly Entertaining Action-Comedy January 23, 2020
Breaking Film Reviews Patrick Howard Film Review: “Bad Boys for Life” – When Michael Bay is Away, the Bad Boys Will Play January 16, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Dolittle” Could Do More with Much Less, but Still Offers Good Family Fun January 16, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Just Mercy” Serves Powerful Justice with a Side of Cinematic Syrup January 10, 2020
Breaking Film Reviews Patrick Howard Film Review: “Like a Boss” Is Another Throwaway January Flick January 10, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Underwater” Nearly Drowns in Clichés, but Stays Afloat Long Enough to Somewhat Entertain January 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Uncut Gems” Delivers an Effective, If Unpleasant, Thrill Ride December 25, 2019
Breaking Film Reviews Matt Patti Film Review: “Spies in Disguise” Is Surprisingly Fun and Charming, If a Bit Ordinary December 25, 2019
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Little Women” Offers Powerful Performances in a Muddled Narrative December 24, 2019
