Adam Vaughn Featured Featured Specialty Interviews Spotlight Interview with “The Walrus and the Whistleblower” Director Nathalie Bibeau March 4, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Black Holes: The Edge of All We Know,” Mysteries Gain Answers March 1, 2021
Adam Vaughn Featured Specialty Series Spotlight Series Review: An Extraordinary View into the World of Video Games, “Playing with Power: The Nintendo Story” Excels in All Ways February 28, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Test Pattern” Offers a Nuanced Examination of a Sexual Assault’s Aftermath February 18, 2021
Christopher Llewellyn Reed Featured Featured Specialty Interviews Spotlight Interview with “Savage State” Director David Perrault February 18, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Happy Cleaners” Thoughtfully Explores the Korean-American Experience February 11, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” [now “The Cursed”] Director Sean Ellis February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
