Festivals | Film Festival Today

SXSW Review: See What Marvels Kids Can Make in “More Than Robots”

March 18, 2022

SXSW Review: In “Slash/Back,” Inuit Girls Rule

March 16, 2022

SXSW Review: “The Prank” Is Quite the Cool Stunt

March 15, 2022

SXSW Review: Finely Crafted “I Love My Dad” Is Almost Too Much

March 14, 2022

SXSW 2022 Is Live: Interview with “Long Line of Ladies” Directors Rayka Zehtabchi and Shaandiin Tome

March 10, 2022

Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization

February 3, 2022

Sundance Review: Past (and Future?) of Abortion, via Doc and Fiction, in “The Janes” and “Call Jane”

February 1, 2022

Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control

January 31, 2022

Sundance Review: “Master” Treads Heavily, but Still Meaningfully

January 29, 2022

Sundance Review: “Speak No Evil” Is Horror by Way of Haneke

January 28, 2022

Sundance Review: Cooper Raiff’s “Cha Cha Real Smooth” Is a Charmer

January 27, 2022

Middleburg Review: “Left-Handed Girl”
By Christopher Llewellyn Reed
October 17, 2025
Left-Handed Girl (Shih-Ching Tsou, 2025) 4½ out of 5 stars First-time solo director Shih-Ching Tsou has been working with filmmaker Sean Baker since the early aughts, beginning with a movie they co-directed, the 2004 Take Out. After that, she produced his 2012 Starlet, 2015 Tangerine, 2016 short film Snowbird, 2017 The Florida Project, and 2021 Red Rocket. Making her debut behind the camera on her own, with Left-Handed Girl, Tsou nevertheless ... >>
Middleburg Review: “Rebuilding”
By Christopher Llewellyn Reed
October 16, 2025
Rebuilding (Max Walker-Silverman, 2025) 4½ out of 5 stars In his 2022 feature debut, A Love Song, writer/director Max Walker-Silverman demonstrated a gentle, but assured, confidence behind the camera that made of the movie a poignant study of late-in-life romance. Lead performers Dale Dickey and Wes Studi brought their A games to the project, as did cinematographer Alfonso Herrera Salcedo, the sincere performances and breathtaking imagery ... >>
Screamfest Review: “Big Baby”
By Billy Ray Brewton
October 14, 2025
Big Baby (Spider One, 2025) 3 out of 5 stars As a writer myself, I am always interested in and drawn to films about the process, as it were: the use of imagination to create ideas and the ability to take those ideas and turn them into a cohesive, engaging, and authentic story. Lots of films have tackled this over the years, with varying levels of success. On the high end, you have something like Adaptation, the Spike Jonze masterpiece from ... >>
“Solvent” Has Splatter and Guts
By Patrick Howard
October 9, 2025
Solvent (Johannes Grenzfurthner, 2024) 4 out of 5 stars While searching for Nazi documents in an Austrian farmhouse, a team of experts uncovers a hidden secret buried in its bowels. American expatriate Gunner S. Holbrook becomes obsessed with solving the mystery, and as his sanity wanes, he must confront an insatiable evil. Can he find redemption before it drains the life out of him? ... >>
New/Next Review: “OBEX”
By Christopher Llewellyn Reed
October 5, 2025
OBEX (Albert Birney, 2025) 4 out of 5 stars The films of director Albert Birney—be they of the live action variety (Strawberry Mansion) or animated (Tux and Fanny)—are always loving tributes to the meticulous process of artistic creation. Each shot within each scene is composed with great consideration, the visual components beautifully coming together while also advancing the story. Such is very much the case with his latest, OBEX, in which ... >>

5 Films to See at Middleburg 2025
October 15, 2025
The 13th iteration of the annual Middleburg Film ...>>
5 Films to See at New/Next 2025
October 2, 2025
The New/Next Film Fest is back for its third ...>>
10 Picks for TIFF 2025
September 1, 2025
The 2025 Toronto International Film Festival (or TIFF) ...>>
Films to See at Fantasia 2025
July 15, 2025
For fans of the weird, wild, and wonderful, the 29th ...>>
“Marlee Matlin: Not Alone Anymore” Interview with Director and Star
June 12, 2025
Director Shoshannah Stern makes her feature debut with ...>>