Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage New York Film Festival Spotlight Christopher Llewellyn Reed’s Take on First Two Weeks of NYFF58 September 29, 2020
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews New York Film Festival Spotlight New York Film Festival Review: In Bleak but Beautiful “Nomadland,” America Dreams of Better Times September 29, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Melanie Addington Spotlight Toronto International Film Festival Melanie Addington and Christopher Llewellyn Reed’s Takes on TIFF 2020 September 20, 2020
Breaking Festivals Melanie Addington Spotlight Toronto International Film Festival TIFF 2020 Virtual and (Sort Of) Canada-Only Schedule September 10, 2020
Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: In “Hollywood Fringe,” The Artistic Life Is Difficult September 1, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: “D.N.A. Definitely Not Appropriate” Is Genetically Passable August 13, 2020
AFI DOCS Featured Festivals FFT Festival Coverage Industry News Spotlight The American Film Institute (AFI) Announces Dates for 2020 AFI DOCS Film Festival May 6, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Toronto International Film Festival Film Review: “Sea Fever” Stays Afloat with Frightening, Intense Dread That Hits Close to Home April 10, 2020
Breaking Featured Festivals FFT Festival Coverage Film Reviews Hannah Tran Sundance Sundance 2020 Review: “The Night Clerk” Never Lives up to Its Premise February 20, 2020
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Sundance Sundance 2020 Review: “Dick Johnson Is Dead” Brings Familial Love to Life February 13, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Interviews Sundance Sundance 2020 Interview with “The Assistant” Director Kitty Green February 11, 2020
