Annapolis Film Festival Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Spotlight What to See at the 2022 Annapolis Film Festival (It’s 10th Anniversary Time!) March 30, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight MoMI First Look Review: “Babi Yar. Context” and “Mr. Landsbergis” Are Archival Masterworks March 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Seriously Red,” Dolly Parton Is the Way Forward March 22, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: See What Marvels Kids Can Make in “More Than Robots” March 18, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Slash/Back,” Inuit Girls Rule March 16, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “The Prank” Is Quite the Cool Stunt March 15, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: Finely Crafted “I Love My Dad” Is Almost Too Much March 14, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight SXSW SXSW 2022 Is Live: Interview with “Long Line of Ladies” Directors Rayka Zehtabchi and Shaandiin Tome March 10, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization February 3, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Past (and Future?) of Abortion, via Doc and Fiction, in “The Janes” and “Call Jane” February 1, 2022
Festivals FFT Festival Coverage Film Reviews Jeremy Taylor Spotlight Sundance Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control January 31, 2022
