Breaking Film Reviews Patrick Howard Film Review: LaKeith Stanfield and Issa Rae Develop the Overly Subdued “The Photograph” February 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: “Beanpole” Sprouts a Beautiful, Mournful Elegy February 13, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Downhill” Aims High and Soars February 13, 2020
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Sundance Sundance 2020 Review: “Dick Johnson Is Dead” Brings Familial Love to Life February 13, 2020
Featured Specialty Film Reviews Matt Patti Film Review: “VFW” Provides Some Gory Fun but Falters Under the Weight of Bad Decisions by Its Characters and Creators February 13, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: Uneven but Entertaining “Birds of Prey” Is Best When the Women Get Together and Get Wild February 6, 2020
Breaking Christopher Llewellyn Reed Festivals Film Reviews Sundance Sundance 2020 Review: “The Assistant” Explores the Crushing Power of Abuse February 6, 2020
Breaking Film Reviews Matt Patti Film Review: “The Rhythm Section” Doesn’t Quite Hit Its Beat January 30, 2020
Breaking Film Reviews Matt Patti Film Review: “The Gentlemen” is a Brash, High-Energy, and Wildly Entertaining Action-Comedy January 23, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: “Citizen K“ Masterfully Profiles a Russian Oligarch’s Rise and Fall January 23, 2020
Featured Specialty Film Reviews Matt Patti Film Review: “Color Out of Space” Lights Up the Screen with a Disturbing and Terrifying Mixture of Sci-Fi and Horror Elements January 23, 2020
