Breaking Christopher Llewellyn Reed Festivals Film Reviews Sundance Sundance 2020 Review: “The Assistant” Explores the Crushing Power of Abuse February 6, 2020
Breaking Film Reviews Matt Patti Film Review: “The Rhythm Section” Doesn’t Quite Hit Its Beat January 30, 2020
Breaking Film Reviews Matt Patti Film Review: “The Gentlemen” is a Brash, High-Energy, and Wildly Entertaining Action-Comedy January 23, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Film Review: “Citizen K“ Masterfully Profiles a Russian Oligarch’s Rise and Fall January 23, 2020
Featured Specialty Film Reviews Matt Patti Film Review: “Color Out of Space” Lights Up the Screen with a Disturbing and Terrifying Mixture of Sci-Fi and Horror Elements January 23, 2020
Breaking Film Reviews Patrick Howard Film Review: “Bad Boys for Life” – When Michael Bay is Away, the Bad Boys Will Play January 16, 2020
Film Reviews Hannah Tran Specialty Releases Film Review: “The Wave” Is an Overambitious Step into Nonsense January 16, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Dolittle” Could Do More with Much Less, but Still Offers Good Family Fun January 16, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Just Mercy” Serves Powerful Justice with a Side of Cinematic Syrup January 10, 2020
Breaking Film Reviews Patrick Howard Film Review: “Like a Boss” Is Another Throwaway January Flick January 10, 2020
Breaking Christopher Llewellyn Reed Film Reviews Film Review: “Underwater” Nearly Drowns in Clichés, but Stays Afloat Long Enough to Somewhat Entertain January 9, 2020
