Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Toronto International Film Festival TIFF Review: “The Woman King” Earns Her Glory September 14, 2022
Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “Dreamland: A Storming Area 51 Story” Is a Journey into Idiocy September 13, 2022
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Flight/Risk” Is a Powerful Takedown of Corporate Greed September 9, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Medieval” Delivers More Action and Gore Than Original Story September 7, 2022
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Surrogate” Impresses with Tension and Suspense, Even If Payoff Isn’t Quite As Effective September 1, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Honk for Jesus. Save Your Soul.” Offers Satire with a Sledgehammer September 1, 2022
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: Strong Third Act Redeems Otherwise Generic Horror-Thriller “Where’s Rose” August 29, 2022
Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “The Youth Governor” Is a Feel-Good Documentary That Lacks Feeling August 26, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Breaking” Showcases a Riveting Boyega August 25, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Three Minutes: A Lengthening” Memorializes Those Lost to Nazi Crimes August 25, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The Day After Halloween” Is a Bummer, Just Like November 1st August 22, 2022
