Breaking Film Reviews Matt Patti Spotlight Film Review: Bigfoot Meets the Wendigo in “Dawn of the Beast,” a Creature-Feature that Offers Genuine Scares but Not Much Else April 6, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Voices” Is Effective as Drama, but Not As Horror March 31, 2021
Adam Vaughn Festivals FFT Festival Coverage Film Reviews Spotlight Cinequest Review: “Echoes of Violence” Is Simple but Effective in Its Delivery of Cinematic Storytelling March 30, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Godzilla vs. Kong,” the Monsters Rule March 30, 2021
Adam Vaughn Festivals FFT Festival Coverage Film Reviews Spotlight Cinequest Review: While “Drive All Night” Offers Interesting Character Archetypes, Everything Else Falls Short March 30, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Tina” Perfectly Celebrates Its Brilliant Star March 27, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Father” Offers Style Without Much Substance March 26, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Saul Goodman Does John Wick in Derivative “Nobody” March 26, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: While “Six Minutes to Midnight” Offers Tremendous Tension and Drama, the Cookie-Cutter Style Bleeds Through March 25, 2021
Breaking Film Reviews Robin C. Farrell Spotlight Film Review: “Shoplifters of the World” Offers a Specific, Yet Universal, Viewing Experience March 25, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “United States vs. Reality Winner” Makes the Case for Whistleblowers March 23, 2021
