Breaking Film Reviews Matt Patti Spotlight Film Review: The Wacky “Willy’s Wonderland” Squanders Its Absurdist Potential by Taking Itself Too Seriously February 12, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest Characters February 12, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Power of “The Mauritanian” Is Undercut by Narrative Chaos February 12, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Happy Cleaners” Thoughtfully Explores the Korean-American Experience February 11, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of Repetition February 11, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and Payoff February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Little Fish” Offers Weak Dramatic Sustenance February 5, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Two of Us,” You Can’t Keep Lovers Apart February 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame Street February 4, 2021
