Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: For All Its High Concept, “HellKat” Delivers All the Wrong Moves February 1, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Funeral Home” Provides Disturbing Drama but Gives Genuine Horror a Rest January 28, 2021
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: French Existentialism Meets Western in Effective “Savage State” January 28, 2021
Breaking Film Reviews Spotlight Film Review: “The Dig” Only Uncovers the Surface of a Truly Fascinating Story January 27, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Penguin Bloom” Breathes Deep Emotion, with Touching Performances Yet Some Imperfections January 26, 2021
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Virtually) at Sundance 2021 January 25, 2021
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Derek DelGaudio’s in & of Itself” Is Spectacular As Visual-Art Performance, If Less As Live Video-Recording January 21, 2021
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Stallone: Frank That Is” Tells a Mostly Unknown Perspective on a Famous Celebrity Icon … and His Brother! January 18, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Thought-Provoking Thriller “Flinch” Examines a Dreadful Dilemma in the Life of a Young Hitman January 14, 2021
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: Though “Night Stalker: The Hunt for a Serial Killer” Is Too Long, It Still Ultimately Bags Its Prey January 12, 2021
Adam Vaughn Featured Specialty Interviews Spotlight Interview with “Climate of the Hunter” Director Mickey Reece January 12, 2021