Adam Vaughn Breaking Film Reviews Spotlight Film Review: James Gunn’s “The Suicide Squad” Reinvigorates Its Concept with a Funny, Violent, and Ridiculous Tone August 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Spiritless “Annette” Lacks a Raison d’Être August 5, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Rising Wolf” May Have Cool Concepts, but You’d Never Know Under All the Mess August 4, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: Despite Censorship and Propaganda, Afghan Filmmakers Shine in “What We Left Unfinished” August 2, 2021
Breaking Film Reviews Heidi Shepler Spotlight Film Review: “The Last Mercenary” Strikes a Delightful Balance Between Action and Comedy July 30, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Siren Song of “Lorelei” Mostly Enchants July 29, 2021
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In Horror Anthology “Lilith,” Looks are Deceiving July 29, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In Often Gripping “The Evening Hour,” Less Is More, Until It Isn’t July 29, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Boy Behind the Door” Initially Strikes Gold, but Loses Momentum by the End July 28, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: M. Night Shyamalan’s “Old” Takes a Clever Concept and Creates a Bit of a Mess July 22, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “The Last Letter from Your Lover” Would Be Better Left Unsent July 22, 2021
