Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Black Boys” Powerfully Examines Systemic Racism Against Black Male Bodies September 10, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Julie and the Phantoms” Makes Magic out of Narrative Madness September 9, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Babysitter: Killer Queen” Redelivers Comedy, Action and Gore of its Predecessor, but with Less Originality and More Ridiculousness September 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Social Dilemma” Illustrates a Problem in Need of a Solution September 9, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Cuties” Offers a Complex Examination of Tween Agency September 8, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Apocalypse ’45” Beautifully Showcases the Horrors of War September 4, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Mulan” Triumphs Over Unnecessary Adaptation September 3, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “Away” Remains Too Grounded in Earthly Problems September 3, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: Though Wacky and Uneven, “The Owners” Features Compelling Tension and Noteworthy Performances September 3, 2020
Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: In “Hollywood Fringe,” The Artistic Life Is Difficult September 1, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Pale Door” Is a Conventional, but Still Entertaining, Western Horror Flick September 1, 2020