Breaking Film Reviews Patrick Howard Spotlight Film Review: “The Way Back” Rushes to the End of Court but Only by the Strengths of Ben Affleck March 5, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: Brilliant, If Grueling “Sorry We Missed You” Exposes Sins of Our Day March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: This Frothy “Emma.” Entertains, If Nothing Else March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Delightfully Odd World-Building of “Onward” Dazzles More Than It Doesn’t March 5, 2020
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “Escape from Pretoria” Offers an Alternative, but Gripping, View on Apartheid March 5, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Often Absurd “The Invisible Man” Still Thrills with Chills February 27, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Greed” Is Not Good February 27, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Portrait of a Lady on Fire” Offers a Searing Period Drama of Female Agency February 26, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “The Lodge” is a Chilling, Gripping Thriller That Isn’t What It Seems February 20, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Cold Case Hammarskjöld” Delivers a Brilliant, Brutal Docu-Autopsy August 23, 2019
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Midsommar” Finds Darkness in Daylight June 30, 2019
