Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Body Brokers” Takes Its Time with a Stunning Concept February 18, 2021
Christopher Llewellyn Reed Featured Featured Specialty Interviews Spotlight Interview with “Savage State” Director David Perrault February 18, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Blithe Spirit” Wrestles with Nuanced Cinematic Conventions and Theatrical Roots February 18, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: The Wacky “Willy’s Wonderland” Squanders Its Absurdist Potential by Taking Itself Too Seriously February 12, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest Characters February 12, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Power of “The Mauritanian” Is Undercut by Narrative Chaos February 12, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Happy Cleaners” Thoughtfully Explores the Korean-American Experience February 11, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of Repetition February 11, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
