Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” [now “The Cursed”] Director Sean Ellis February 8, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: As an Ode to H.P. Lovecraft’s Favorite Creature, “Sacrifice” Delivers Solid Suspense and Mystery, Yet Lacks Delivery and Payoff February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Little Fish” Offers Weak Dramatic Sustenance February 5, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Two of Us,” You Can’t Keep Lovers Apart February 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame Street February 4, 2021
Breaking Film Reviews Patrick Howard Spotlight Film Review: “Malcolm & Marie” Lives and Breathes Through Its Dynamic Stars February 4, 2021
Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Sam Levy, Cinematographer of “Mayday” February 4, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Frankenstein Adaptation “A Nightmare Wakes” Achieves Its Artistic Ambitions but Creates a Messy Monster in the Process February 4, 2021
