Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Bad Girl Boogey” Can’t Quite Find Its Groove July 3, 2023
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Gentle “Blueback” Is a Call to Environmental Arms January 29, 2023
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Surrogate” Impresses with Tension and Suspense, Even If Payoff Isn’t Quite As Effective September 1, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Seriously Red,” Dolly Parton Is the Way Forward March 22, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “June Again” Is a Funny and Compelling Story About Dementia January 8, 2022
Adam Vaughn Featured Specialty Interviews Spotlight Stories Interview with “Great White” Director Martin Wilson July 22, 2021
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “Chasing Wonders” Is an Understated Meditation on Forgiveness June 2, 2021
Featured Specialty Film Reviews Heidi Shepler Spotlight Film Review: “High Ground” Is Exquisite and Devastating May 13, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: The Past Is Inevitable in “The Drover’s Wife: The Legend of Molly Johnson” March 19, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
