Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSXSW SXSW Review: The Past Is Inevitable in “The Drover’s Wife: The Legend of Molly Johnson”March 19, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Australian “Rams” Mostly Does Icelandic Original ProudFebruary 5, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: While “Buoyancy” Eventually Becomes Routine, It Still Brings the Viewer on a Tense AdventureSeptember 10, 2020
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of TuneJuly 16, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Babyteeth” Brings Fresh, Frenetic Energy to a Tired GenreJune 18, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Judy & Punch” Gives the Classic Puppet Show a Proper Feminist TwistJune 4, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “True History of the Kelly Gang” Is a Fascinating MisfireApril 23, 2020
Christopher Llewellyn ReedFestivalsInterviewsSundance Interview with Director Grant Sputore and Stars Clara Rugaard and Hilary Swank of I AM MOTHERAugust 14, 2019
Christopher Llewellyn ReedFeatured SpecialtyFilm Reviews Film Review: “The Nightingale” Wails a Lament for Victims of ViolenceAugust 7, 2019
Christopher Llewellyn ReedFeatured SpecialtyFilm Reviews Film Review: “Storm Boy” Delivers a Shower of EmotionsApril 4, 2019
