Dan Stevens | Film Festival Today

“Onslaught” Rushes into Nothing

September 3, 2026

“The Ritual” Is Repetitive and Routine

June 4, 2025

“Abigail” Delights with Jokes and Gore

April 19, 2024

Film Review: “Blithe Spirit” Wrestles with Nuanced Cinematic Conventions and Theatrical Roots

February 18, 2021

Film Review: “The Rental” Steals Your Deposit

July 23, 2020

Film Review: “Lucy in the Sky” Is a Narrative Black Hole

October 10, 2019

Enjoyable, If Inert, “Beauty and the Beast” Feels Like an Old Tale, Indeed

March 17, 2017

TIFF Review: “The Hummingbird Paints Fragrant Songs”
By Christopher Llewellyn Reed
September 12, 2026
The Hummingbird Paints Fragrant Songs (Èlia Gasull Balada/Matteo Norzi, 2026) 4½ out of 5 stars Every artist who agrees to have a movie made about them should be so lucky as to have their work photographed in as exquisite a manner as that used by Èlia Gasull Balada and Matteo Norzi (Icaros: A Vision) for the canvases of Sara Flores. In The Hummingbird Paints Fragrant Songs, they craft a loving portrait of their septuagenarian subject, an ... >>
TIFF Review: “Le Faux Soir”
By Christopher Llewellyn Reed
September 10, 2026
Le Faux Soir (Michaël R. Roskam, 2026) 4 out of 5 stars We have by now seen what feels like every permutation possible of a World War II narrative. Not so, it turns out, for Belgian director Michaël R. Roskam (The Drop) has managed to find a new angle with his Le Faux Soir, which takes us into a surprisingly comical act of defiance against the Nazis. Fascists hate being laughed at. We should do so all the time. ... >>
TIFF Review: “Union Town”
By Christopher Llewellyn Reed
September 10, 2026
Union Town (Barbara Kopple, 2026) 4 out of 5 stars The great documentarian Barbara Kopple began her cinematic career with the 1976 Harlan County U.S.A., which took home the Oscar that year in its category. The movie gave audiences an on-the-ground look at a work strike among hard-scrabble Kentucky coal miners and was a model of observational filmmaking. Now, in Union Town, Kopple returns to labor issues, setting her latest opus among the ... >>
Interview with “Franz” Director Agnieszka Holland
By Christopher Llewellyn Reed
August 28, 2026
Polish director Agnieszka Holland first came to my attention with her 1990 masterpiece Europa Europa, about a young Jewish boy during World War II who hides from the Nazis by joining the Hitler Youth, with nobody suspecting his true identity. She has remained on my cinematic radar ever since. Now, with Franz, she crafts a remarkable biographical portrait of one of the 20th century’s most important writers, Franz Kafka, who died of tuberculosis ... >>
“Leviticus” Pairs Heartbreak and Horror
By Hannah Tran
July 4, 2026
Leviticus (Adrian Chiarella, 2026) 4½ out of 5 stars Adrian Chiarella’s feature debut, Leviticus, is many things at once. It’s as much a horrific tale of demonic entities as it is a thorny coming-of-age story, and it does a wonderful job at living in both those registers. Chiarella confidently renders the horror that emerges from denying who you are and who you want. Because above all, Leviticus is a love story, and this is where it truly ... >>