Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: See What Marvels Kids Can Make in “More Than Robots” March 18, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight SXSW SXSW 2022 Is Live: Interview with “Long Line of Ladies” Directors Rayka Zehtabchi and Shaandiin Tome March 10, 2022
Breaking Film Reviews Heidi Shepler Specialty Releases Spotlight Film Review: “Stronger by Stress” Is a Frustrating Mix March 8, 2022
Featured Specialty Film Reviews Robin C. Farrell Spotlight Film Review: “Let Me Be Me” Is a Deeply Moving Family Love Story February 17, 2022
Festivals FFT Festival Coverage Film Reviews Jeremy Taylor Spotlight Sundance Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control January 31, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed January 22, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Speer Goes to Hollywood” Tackles the Big Lie with (Mostly) Truth November 7, 2021
Featured Specialty Film Reviews Heidi Shepler Spotlight Film Review: “Crutch” Examines Perception, Dance, and Disability October 13, 2021
Breaking Featured Film Reviews Hannah Tran Spotlight Film Review: “Justin Bieber: Our World” Is a Tedious but Heartwarming Return October 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Toronto International Film Festival TIFF Review: Like It or Not, “Jagged” Is All About Alanis September 19, 2021
