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SXSW Review: “R#J” Is a Fresh Take on the Classic “Romeo and Juliet” Tragedy, Told Through Modern Technology

March 22, 2021

Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of Repetition

February 11, 2021

Film Review: “The Cleansing Hour” Is a Supernatural Thrill Ride that Grabs the Audience and Refuses to Let Go

October 8, 2020

Film Review: “The Social Dilemma” Illustrates a Problem in Need of a Solution

September 9, 2020

Film Review: “The Social Ones” Is Just As Shallow As Its Subject

March 3, 2020

Film Review: “Searching” Finds Profundity in Its Own Chaos

August 30, 2018

TIFF Interview: Gabrielle Brady of “The Wolves Always Come at Night”
By Christopher Llewellyn Reed
September 17, 2024
Documentarian Gabrielle Brady (Island of the Hungry Ghosts) has a new film out, The Wolves Always Come at Night, which just premiered at the 2024 Toronto International Film Festival—aka TIFF—where I reviewed it. The movie is made using hybrid fiction/non-fiction techniques, with the primary subjects, Davaasuren Dagvasuren (Davaa) and Otgonzaya Dashzeveg (Zaya), working with Brady to craft a narrative that explores the plight of displaced herders ... >>
TIFF Review: “The Wolves Always Come at Night”
By Christopher Llewellyn Reed
September 13, 2024
The Wolves Always Come at Night (Gabrielle Brady, 2024) 4 out of 5 stars There are many causes for concern on our 21st-century planet, foremost among them the increasing disruptions caused by climate change. Beyond the existential threats to the human race, there is the seemingly less consequential (on the surface, if not in reality) destruction of traditional ways of life. In The Wolves Always Come at Night, director Gabrielle Brady (Island of ... >>
TIFF Review: “Santosh”
By Christopher Llewellyn Reed
September 12, 2024
Santosh (Sandhya Suri, 2024) 3½ out of 5 stars Director Sandhya Suri (Around India with a Movie) moves into narrative filmmaking with Santosh, her fiction debut. The titular lead character is a woman forced to navigate the patriarchal demands of the workplace after her husband, a constable, is killed during a riot. At risk of losing the apartment they shared, Santosh (Shahana Goswami, Zwigato) has few options to remain independent from either ... >>
“Girls Will Be Girls” Finds Honesty in Uncomfortable Moments
By George W. Campbell
September 12, 2024
Girls Will Be Girls (Shuchi Talati, 2024) 4 out of 5 stars In choosing the title for Girls Will Be Girls, writer/director Shuchi Talati (A Period Piece) takes a well-known phrase designed to excuse young men’s unruly behavior and flips it on its head. You will be pleased to learn that this is an apt summary of both the film and its intentions. Marking Talati’s feature-directorial debut, Girls Will Be Girls is a tense coming-of-age story that ... >>
TIFF Review: “I’m Still Here”
By Christopher Llewellyn Reed
September 9, 2024
I’m Still Here (Walter Salles, 2024) 4 out of 5 stars Brazil’s military dictatorship lasted 21 years, from 1964-1985. Starting in the 1970s, the government began to crack down with greater force than before on the voices of dissent, or even just on those perceived to potentially offer resistance. Many such unfortunates were “disappeared,” their bodies never to be recovered. If you wonder why today’s Brazil has reacted more strongly ... >>

10 Films to See at TIFF 2024
September 3, 2024
The 2024 Toronto International Film Festival (or TIFF) ...>>
That’s a Wrap at DC/DOX 2024
June 19, 2024
As advertised in my curtain raiser last week, I ...>>
Five Films to See at DC/DOX 2024
June 12, 2024
DC/DOX returns for Round 2, running June 13-16 in its ...>>
Five Films to See at Tribeca 2024
June 5, 2024
This year’s Tribeca Film Festival will take place from ...>>
In Memoriam: Morgan Spurlock
May 27, 2024
When I heard about the passing of documentarian Morgan ...>>