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Film Review: Superficial Feminist Credentials Cannot Save Inept “The 355”

January 6, 2022

Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg
By Hannah Tran
January 21, 2022
When You Finish Saving the World (Jesse Eisenberg, 2022) 4 out of 4 stars. “Congratulations on your birthday,” says Evelyn, the stiff and intellectual upper-middle class woman who runs a domestic violence shelter. This awkward phrasing and even more awkward delivery typifies the intelligent grasp on character in When You Finish Saving the World, the directorial debut of multi-hyphenate talent Jesse Eisenberg (Resistance). Much like this line of ... >>
Films to Watch (Once Again Virtually) at Sundance 2022
By Christopher Llewellyn Reed
January 19, 2022
This year’s Sundance Film Festival was supposed to take place both in person and virtually, building on the success of 2021’s remote portal, which proved easy to use and brought the great film selections directly into our homes. Sadly, though the organizers had every intent of holding a hybrid event in 2022, Covid’s Omicron variant thought otherwise, and here we are now with a repeat of last year’s format, running runs January 20-30. Not to ... >>
Film Review: “Wheel of Fortune and Fantasy” Spins an Uneven Triptych, but Still Intrigues
By Christopher Llewellyn Reed
January 17, 2022
Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi, 2021) 3 out of 4 stars. Japanese director Ryûsuke Hamaguchi has a clear affinity for exploring the vagaries and tragedies of the human heart. Both films he premiered in 2021 tackle romance and sorrow in intriguingly unique ways. And though his Wheel of Fortune and Fantasy, out now on disc and VOD, may not be quite at the level of his Drive My Car, it is still a formally elegant and emotional ... >>
Film Review: “Belle” Is a Peculiar Remix of “Beauty and the Beast”
By Robin C. Farrell
January 13, 2022
Belle (Mamoru Hosoda, 2021) 3 out of 4 stars. Quite obviously inspired by the “Beauty and the Beast” tale, Belle’s heroine is the quiet, inconspicuous Suzu (newcomer Kaho Nakamura), a high-school girl still debilitated by grief many years after her mother’s death. Suzu has lost all of her childhood enthusiasm for music, including the ability to sing. She discovers “U,” however, a virtual-reality social-media platform. Science-fiction style, U’s ... >>
Film Review: Missteps Aside, “Breeder” Still Proves Engaging
By Christopher Llewellyn Reed
January 10, 2022
Breeder (Jens Dahl, 2020) 2½ out of 4 stars. With a title like Breeder, one might expect a very different kind of horror film than what we get in Danish director Jens Dahl’s sophomore feature. Given the evocative poster and tagline about “eternal youth,” I imagined despicable acts involving forced copulation and harvested fetal tissue. The fact that the movie has none of that is a welcome relief, though there is plenty to disturb, and even to ... >>

Victoria Reviews “Dune”
November 3, 2021
Dune’s messiah is a 14 year old scrawny boy. He’s the prettiest and his best friend picks him up ...>>
Victoria Reviews “The Last Duel”
October 18, 2021
Ridley Scott’s THE LAST DUEL is rightfully an epic given the stars and the vast production. And ...>>
Victoria Reviews “Titane”
October 13, 2021
Provocative, daring and fearlessly original. The director, Julia Ducournau, has inherited Lars Von ...>>
Victoria Reviews “No Time To Die”
October 4, 2021
You’ll be thrilled to know that the Woke Army has won. The masculine icon of a 60 year reign is ...>>