Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: In “Watcher,” Maika Monroe Returns as Indie Scream Queen January 26, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: In “Mars One,” Big Dreams Ground Us Here on Earth January 25, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep January 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: In “Emily the Criminal,” Aubrey Plaza Rocks the System January 24, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror January 23, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed January 22, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg January 21, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Films to Watch (Once Again Virtually) at Sundance 2022 January 19, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “Luzzu” Asks Whether We Must Choose Between Survival and Tradition October 11, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
