Tim Blake Nelson | Film Festival Today

10 Picks for TIFF 2025

September 1, 2025

Austin Film Festival Review: “Ghosts of the Ozarks” Uses Fresh Techniques for a Decent Story

October 26, 2021

Film Review: “Old Henry” Offers Well-Worn, If Engaging, Western Fare

October 7, 2021

Film Review: “Naked Singularity” Dresses in Fancy Clothes Where a Simple Outfit Would Suffice

August 5, 2021

Film Review: Good Intentions Notwithstanding, “Monster” Doesn’t Quite Succeed

May 7, 2021

Film Review: “The Ballad of Buster Scruggs” Sings an Uneven Tune

November 16, 2018

TIFF Interview: “Steal Away” Co-Writer Tamara Berger and Director Clement Virgo
By Christopher Llewellyn Reed
September 14, 2025
Toronto-based director Clement Virgo just premiered his latest feature, Steal Away, which he co-wrote with wife Tamara Berger, at the 2025 Toronto International Film Festival (where I reviewed it). They previously collaborated on the 2005 Lie with Me. This new project is an adaptation of Karolyn Smardz Frost’s 2017 nonfiction book Steal Away Home and is set in a world that is neither the here nor the now, but possibly both, an amalgam of times ... >>
TIFF Review: “Franz”
By Christopher Llewellyn Reed
September 10, 2025
Franz (Agnieszka Holland, 2025) 4 out of 5 stars The writer Franz Kafka (1883-1924), though he died far too young (of tuberculosis), left behind a literary legacy that has lasted into our present. Works such as his story “In the Penal Colony,” his novella The Metamorphosis, and his novel The Trial have proved enormously influential, even though most of his works were only published after his death. We have his friend Max Brod to thank for us ... >>
TIFF Review: “Steal Away”
By Christopher Llewellyn Reed
September 9, 2025
Steal Away (Clement Virgo, 2025) 4 out of 5 stars Set in a land that exists outside of a specific era and place, yet suggestive of many different locations and moments (including the here and now), director Clement Virgo’s Steal Away plunges the viewer into a simultaneous idyll and nightmare. The freshness of youth—and youthful desire—runs directly into the brutality of human greed, destroying the innocent dreams of our teenage protagonists. ... >>
TIFF Review: “Good Boy”
By Christopher Llewellyn Reed
September 8, 2025
Good Boy (Jan Komasa, 2025) 3½ out of 5 stars Tommy is a problem child (young adult, really, at 19). A hard-drinking and drug-taking bully—violent and oversexed, to boot—he provides no service to the world beyond making a mess that others have to clean up. So if he were to vanish, who would miss him? ... >>
TIFF Review: “Wake Up Dead Man”
By Christopher Llewellyn Reed
September 7, 2025
Wake Up Dead Man (Rian Johnson, 2025) 3½ out of 5 stars With the 2019 film Knives Out, writer/director Rian Johnson (Star Wars: The Last Jedi) added the whodunit to his repertoire, continuing with the 2022 sequel, Glass Onion, and now the 2025 follow-up, Wake Up Dead Man. All three movies tell entirely standalone stories, with their only connecting tissue the presence of preening private detective Benoit Blanc (played each time by James Bond ... >>

10 Picks for TIFF 2025
September 1, 2025
The 2025 Toronto International Film Festival (or TIFF) ...>>
Films to See at Fantasia 2025
July 15, 2025
For fans of the weird, wild, and wonderful, the 29th ...>>
“Marlee Matlin: Not Alone Anymore” Interview with Director and Star
June 12, 2025
Director Shoshannah Stern makes her feature debut with ...>>
Five Films to See at Tribeca 2025
June 4, 2025
This year, as always at the Tribeca Festival (formerly ...>>
Our Coverage of 2025 Oscar Nominees
January 25, 2025
Last week, the Academy of Motion Picture Arts and ...>>