Adam Vaughn Breaking Film Reviews Spotlight Film Review: While Possibly Fun for Kids, “Clifford the Big Red Dog” Has Little to Offer Adults November 9, 2021
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “Lantern’s Lane” Is Dry, Unoriginal, and a Waste of Time November 4, 2021
Adam Vaughn Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: “Artificial Gamer” Is an Exploration Designed for the Gamer November 4, 2021
Adam Vaughn Austin Film Festival Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Austin Film Festival Review: “Briefly” Tells a Simple Story of Method Acting Gone Terribly Wrong October 31, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: The Aesthetic Wonders of “Last Night in Soho” Ultimately Fade October 28, 2021
Adam Vaughn Austin Film Festival Festivals FFT Festival Coverage Film Reviews Spotlight Austin Film Festival Review: At Its Best, “It Hatched” Is Generic; At Its Worst, Unbearable October 27, 2021
Adam Vaughn Austin Film Festival Festivals FFT Festival Coverage Film Reviews Spotlight Austin Film Festival Review: “Ghosts of the Ozarks” Uses Fresh Techniques for a Decent Story October 26, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Last Duel” Takes Its Time to Weave a Marvelous Anthology October 13, 2021
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Old Ways” Presents a Chilling and Creative Story About Tradition and Family Ties October 5, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Witch Hunt” Does an Abundant Amount of Hunting for Its Style October 1, 2021
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Surge” Falls Short of Memorability September 23, 2021