Breaking Film Reviews Hannah Tran Spotlight Film Review: “Hatching” Births a Fascinating Monster Within a Flawed Story April 28, 2022
Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage Maryland Film Festival Series Spotlight Series Review: Though Not Without Script Flaws, “We Own This City” Engages and Horrifies Throughout April 25, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In “9 Bullets,” Idiotic Supporting Characters Damage a Strong Protagonist April 21, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Bad Guys” Are Better Than Bad April 20, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: Viking Epic “The Northman” Delivers a Gripping, If Flawed, Tale of Revenge April 20, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Dual” Overuses Its Sarcastic Tone to the Point of Annoyance April 14, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: An Abysmal Central Performance and a Messy Conclusion Sink Otherwise Compelling “Reed’s Point” April 11, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Sonic the Hedgehog 2” Is Consistently Entertaining April 7, 2022
Breaking Film Reviews Heidi Shepler Spotlight Film Review: The Blades of “All the Old Knives” Are Sharper Than You Think April 7, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: Though Not Without Merit, “Prototype” Doesn’t Quite Succeed April 5, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Apollo 10½: A Space Age Childhood” Is Lovely to Behold, Yet Otherwise Empty March 31, 2022
