Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Thunder Force” Brings Little Lightning April 9, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Middle-of-the-Road “The Tunnel” Serves Its Cinematic Purpose April 8, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Bigfoot Meets the Wendigo in “Dawn of the Beast,” a Creature-Feature that Offers Genuine Scares but Not Much Else April 6, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Voices” Is Effective as Drama, but Not As Horror March 31, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Godzilla vs. Kong,” the Monsters Rule March 30, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Tina” Perfectly Celebrates Its Brilliant Star March 27, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Father” Offers Style Without Much Substance March 26, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Saul Goodman Does John Wick in Derivative “Nobody” March 26, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: While “Six Minutes to Midnight” Offers Tremendous Tension and Drama, the Cookie-Cutter Style Bleeds Through March 25, 2021
Breaking Film Reviews Robin C. Farrell Spotlight Film Review: “Shoplifters of the World” Offers a Specific, Yet Universal, Viewing Experience March 25, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Anthology Horror-Thriller “Phobias” Masterfully Explores the Origins of People’s Fears March 18, 2021
