Christopher Llewellyn Reed | Film Festival Today

Film Review: “Cruella” Rules Her World

May 26, 2021

Film Review: Through Occasionally Clunky Terrain, “Dream Horse” Still Inspires

May 20, 2021

What to (Virtually) See at the 2021 Maryland Film Festival

May 18, 2021

Film Review: In Deeply Flawed “Profile,” Screenlife Somewhat Holds Our Interest

May 13, 2021

Film Review: “Oxygen” May Be Limited, but Still Sustains Dramatic Life

May 11, 2021

Film Review: Good Intentions Notwithstanding, “Monster” Doesn’t Quite Succeed

May 7, 2021

Film Review: “Paper Spiders” Offers a Moving Study of Mental Illness

May 6, 2021

Film Review: In “The Mitchells vs. the Machines,” Family Wins

April 30, 2021

Film Review: In “Things Heard & Seen,” The Less Heard and Seen, the Better

April 28, 2021

Film Review: “Together Together” Offers a Moving Study of Loneliness

April 23, 2021

Film Review: Inventive Fight Choreography Cannot Save “Mortal Kombat” from a Weak Script

April 23, 2021

Interview with “Franz” Director Agnieszka Holland
By Christopher Llewellyn Reed
August 28, 2026
Polish director Agnieszka Holland first came to my attention with her 1990 masterpiece Europa Europa, about a young Jewish boy during World War II who hides from the Nazis by joining the Hitler Youth, with nobody suspecting his true identity. She has remained on my cinematic radar ever since. Now, with Franz, she crafts a remarkable biographical portrait of one of the 20th century’s most important writers, Franz Kafka, who died of tuberculosis ... >>
“Leviticus” Pairs Heartbreak and Horror
By Hannah Tran
July 4, 2026
Leviticus (Adrian Chiarella, 2026) 4½ out of 5 stars Adrian Chiarella’s feature debut, Leviticus, is many things at once. It’s as much a horrific tale of demonic entities as it is a thorny coming-of-age story, and it does a wonderful job at living in both those registers. Chiarella confidently renders the horror that emerges from denying who you are and who you want. Because above all, Leviticus is a love story, and this is where it truly ... >>
DC/DOX Review: “School for Defectors”
By Christopher Llewellyn Reed
June 22, 2026
School for Defectors (Jeremy Workman, 2026) 5 out of 5 stars After its occupation by Japan from 1910 to 1945, the Korean peninsula was divided between its northern and southern halves, the former under Soviet rule and the latter under the United States. Over the ensuing 5 years, each half pursued different forms of government, until in 1950, Kim Il Sung—leader of North Korea—decided to invade South Korea, beginning a war that would last 3 years ... >>
Tribeca Interview: “Funk” Director Aly Muritiba
By Christopher Llewellyn Reed
June 12, 2026
With Funk, Brazilian director Aly Muritiba (Private Desert) crafts a love letter to “putaria,” the kinky funk music of the favelas surrounding Rio de Janeiro. That genre is unabashedly sexual in its lyrics and themes, often in very explicit fashion. With gleeful abandon, its practitioners—at least as we see them here—rap and sing about all kinds of pleasurable acts, moving their bodies to the rhythm in ways that leave no doubt as to what they’re ... >>
Community Is Important in “Flag Day”
By Patrick Howard
June 12, 2026
Flag Day (Andrew Shea/Melissa Shea, 2026) 4½ out of 5 stars In today’s climate of division and corrupt politicians pitting Americans against Americans, Flag Day, a new documentary directed by Andrew and Melissa Shea (I’ll Be There), reminds us of the pricelessness of being part of a community where people truly care for one another. Set in the small farming town of Three Oaks, Michigan, the movie introduces a wide array of the town’s citizens ... >>