Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Alien on Stage,” Everyone Can Hear You Scream (with Joy) March 21, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: “The Hunt for Planet B” Explores the Search for Another Life-Sustaining Planet While Also Taking an Introspective Look at Our Own March 20, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: The Past Is Inevitable in “The Drover’s Wife: The Legend of Molly Johnson” March 19, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: “Here Before” Explores the Unnerving, Volatile Obsession of a Mother Who has Lost a Child March 18, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: Beware the CEO As Guru in “WeWork: Or the Making and Breaking of a $47 Billion Unicorn” March 17, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: “Luchadoras” Showcases the Brave Female Wrestlers of the Dangerous Ciudad Juárez in Their Fight Against Femicide March 16, 2021
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Matt Patti Spotlight SXSW What to See (Virtually) at SXSW 2021 March 15, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” [now “The Cursed”] Director Sean Ellis February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
