Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: Beware the CEO As Guru in “WeWork: Or the Making and Breaking of a $47 Billion Unicorn” March 17, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Matt Patti Spotlight SXSW SXSW Review: “Luchadoras” Showcases the Brave Female Wrestlers of the Dangerous Ciudad Juárez in Their Fight Against Femicide March 16, 2021
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Matt Patti Spotlight SXSW What to See (Virtually) at SXSW 2021 March 15, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight Sundance Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing February 11, 2021
Featured Specialty Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion” February 10, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Interviews Spotlight Sundance Sundance Interview with “Eight for Silver” [now “The Cursed”] Director Sean Ellis February 8, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Hannah Tran Melanie Addington Spotlight Sundance Our Take on Sundance 2021 February 7, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame Street February 4, 2021
Festivals FFT Festival Coverage Hannah Tran Interviews Spotlight Sundance Sundance Interview with Sam Levy, Cinematographer of “Mayday” February 4, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: “Summer of Soul” Was More Than the Black Woodstock February 2, 2021
