Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “Yes, God, Yes” Is an Acutely Personal Yet Exceedingly Relatable Tale of Religious Guilt July 23, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “The Rental” Steals Your Deposit July 23, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Radioactive” Fails to Engender Empathy for Its Central Figure or Excitement for Her Life-Altering Work July 23, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Most Wanted” Offers an Entertaining, if Flawed, Crazy Real-Life Tale July 23, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre Tropes July 23, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Impetigore” Is Not as Much of a Horrific Experience As a Twisted Family Tale July 22, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Pool” Grips the Audience and Engages Them in High Stakes and Effective Thrills July 21, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Lake of Death” Displays a Visually Promising Premise, Only to Mix and Confuse with Repetitive Horror Conventions July 20, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
