Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “V/H/S/99” Playfully Pays Homage to Y2K Horror with Modest Success October 20, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight MIddleburg Review: “Good Night Oppy” Beautifully Chronicles Humanity’s Enduring Quest October 15, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Halloween Ends” Is a Crafty Sequel, If Not an Epic Conclusion October 13, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Even with Great Performances, This “Old Man” Is Confused October 13, 2022
Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight HIFF Review: “Pinball: The Man Who Saved the Game” Takes an Admirable Shot but Never Quite Sinks It October 9, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: The Performances Are the Thing in “Amsterdam” October 6, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The Wild Man,” Just Like Florida, Is a Mixed Bag October 6, 2022
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Hellraiser” Barely Raises Cinematic Hell October 6, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Mr. Harrigan’s Phone” Entertains, Even if it Doesn’t Surprise October 4, 2022
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Mona Lisa and the Blood Moon” Proves a Misfire September 30, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “My Best Friend’s Exorcism” Successfully Meshes Teen Drama and Horror September 30, 2022
