Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Marry Me” Is a Trifle, but a Sweet One February 10, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Blacklight” Offers an Intriguing Plot, but Bland Characters February 9, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Cosmic Dawn” Promises More Than It Delivers February 9, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: Single-Setting Thriller “Alone with You” Provides a Haunting Meditation on Cabin Fever February 5, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “The Worst Person in the World” Is a Moving Ode to Self-Actualization February 3, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Past (and Future?) of Abortion, via Doc and Fiction, in “The Janes” and “Call Jane” February 1, 2022
Festivals FFT Festival Coverage Film Reviews Jeremy Taylor Spotlight Sundance Sundance Review: “TikTok, Boom” Is a Strong Documentary with Insights into Dangers of Chinese Control January 31, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Master” Treads Heavily, but Still Meaningfully January 29, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Speak No Evil” Is Horror by Way of Haneke January 28, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: Cooper Raiff’s “Cha Cha Real Smooth” Is a Charmer January 27, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Boris Karloff: The Man Behind the Monster” Tells the Famous Actor’s Life in the Bluntest Way Possible January 27, 2022
