Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Eight for Silver” [now “The Cursed”] Doesn’t Quite Make Cinematic Gold, but Still Offers Some Fine Treasures February 7, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Little Fish” Offers Weak Dramatic Sustenance February 5, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: In “Two of Us,” You Can’t Keep Lovers Apart February 5, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Australian “Rams” Mostly Does Icelandic Original Proud February 5, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: With “Street Gang,” We Finally Learn How We Got to Sesame Street February 4, 2021
Breaking Film Reviews Patrick Howard Spotlight Film Review: “Malcolm & Marie” Lives and Breathes Through Its Dynamic Stars February 4, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Frankenstein Adaptation “A Nightmare Wakes” Achieves Its Artistic Ambitions but Creates a Messy Monster in the Process February 4, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: “Summer of Soul” Was More Than the Black Woodstock February 2, 2021
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: “Judas and the Black Messiah” Offers Powerful History Lesson February 2, 2021
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “In the Same Breath” Expertly Dismantles the Notion of National Exceptionalism February 2, 2021
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: For All Its High Concept, “HellKat” Delivers All the Wrong Moves February 1, 2021
