Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Gateway” Succeeds in Telling an Engaging Story, Even If It Is Risk-Free September 1, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “He’s All That” Is a Risky Remake That Plays It Too Safe August 27, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Candyman” May Be Uneven, but the Terror Is Real August 26, 2021
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: “No Man of God” Offers a Sensational Bundy but a Standard Approach August 26, 2021
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The Colony” Creates Compelling Environment, Even If Concept Shines More Than Characters August 26, 2021
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Behemoth” Promises Demons and VFX Wonders, and Severely Underwhelms August 26, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Though at First a Repellant Jumble, “Together” Eventually Connects August 26, 2021
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Mosquito State” Is a Can of Raid Away from a Total Flop August 25, 2021
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: Uruguayan Slasher Flick “The Last Matinee” Deserves to be Enjoyed on Opening Night August 23, 2021
Christopher Llewellyn Reed Featured Specialty Interviews Spotlight Interview with “Ma Belle, My Beauty” Director Marion Hill August 23, 2021
