Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Scare Me” Is More Parody of Horror Than Decent Ode to It September 30, 2020
Breaking Christopher Llewellyn Reed Festivals FFT Festival Coverage New York Film Festival Spotlight Christopher Llewellyn Reed’s Take on First Two Weeks of NYFF58 September 29, 2020
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews New York Film Festival Spotlight New York Film Festival Review: In Bleak but Beautiful “Nomadland,” America Dreams of Better Times September 29, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In Lovely “Kajillionaire,” Gina Rodriguez Is All Anyone Needs September 24, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “LX 2048” is an In-Depth Dystopia with Strong Technological Insights and Huge Awareness of the Modern World September 24, 2020
Breaking Film Reviews Matt Patti Spotlight Film Review: “Shortcut” Is a Fun, Engaging Creature Feature, but Nothing We Haven’t Seen Before September 24, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Artist’s Wife” Is a Heartfelt Story and an Engaging Experience September 24, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: Lovely “Bird Island” Showcases a Haven of Gentle Souls September 24, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Enola Holmes” May Be Over-the-Top, but Its Loveable Heroine Makes It Work September 22, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Melanie Addington Spotlight Toronto International Film Festival Melanie Addington and Christopher Llewellyn Reed’s Takes on TIFF 2020 September 20, 2020
