Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In “Zerograd,” a Nation Collapses, And What Fun It Is October 25, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: “Triangle of Sadness” Delights Through Excess October 24, 2022
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Operation Seawolf” Is Tragic Yet Too Short WWII Narrative October 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: “The Wonder” Is Wonderful in Parts, Less So in Whole October 23, 2022
Christopher Llewellyn Reed Featured Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: Fatphobia Rules the Day in “The Whale” October 23, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight Middleburg Review: I Choose to Stay for Marvelous “Decision to Leave” October 22, 2022
Featured Specialty Film Reviews Hannah Tran Spotlight Film Review: AI Music Documentary “The Computer Accent” Inventively Analyzes the Creative Process October 21, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “TÁR” Is a Powerful Symphony of the Mind October 20, 2022
Breaking Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “V/H/S/99” Playfully Pays Homage to Y2K Horror with Modest Success October 20, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Middleburg Film Festival Spotlight MIddleburg Review: “Good Night Oppy” Beautifully Chronicles Humanity’s Enduring Quest October 15, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Halloween Ends” Is a Crafty Sequel, If Not an Epic Conclusion October 13, 2022