Breaking Film Reviews Robin C. Farrell Spotlight Film Review: “Arlo the Alligator Boy” Is Beautiful and Heartfelt but Doesn’t Reach Its Full Potential April 15, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming Summer April 15, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Banishing” Should Be Dispelled April 15, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Future People: The Family of Donor 5114″ Proves Metaphysically Profound April 10, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Thunder Force” Brings Little Lightning April 9, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Middle-of-the-Road “The Tunnel” Serves Its Cinematic Purpose April 8, 2021
Annapolis Film Festival Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Spotlight What to See at the (Virtual) 2021 Annapolis Film Festival April 8, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: Bigfoot Meets the Wendigo in “Dawn of the Beast,” a Creature-Feature that Offers Genuine Scares but Not Much Else April 6, 2021
Breaking Film Reviews Matt Patti Spotlight Film Review: “The Voices” Is Effective as Drama, but Not As Horror March 31, 2021
Adam Vaughn Festivals FFT Festival Coverage Film Reviews Spotlight Cinequest Review: “Echoes of Violence” Is Simple but Effective in Its Delivery of Cinematic Storytelling March 30, 2021
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Godzilla vs. Kong,” the Monsters Rule March 30, 2021
