Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSXSW SXSW Review: “United States vs. Reality Winner” Makes the Case for WhistleblowersMarch 23, 2021
Adam VaughnBreakingFilm ReviewsSpotlight Film Review: “Bullied” Approaches Its Topic from Many Interesting Angles, Even at the Slight Risk of RepetitionFebruary 11, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Borat Subsequent Moviefilm” Is a Mostly Glorious SequelOctober 22, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Bully. Coward. Victim. The Story of Roy Cohn” Tells the Story of Its Subject, Once AgainJune 17, 2020
BreakingChristopher Llewellyn ReedSeriesSpotlight Series Review: In Powerful “Jeffrey Epstein: Filthy Rich,” Victims Find Their VoiceMay 26, 2020
BreakingChristopher Llewellyn ReedFilm Reviews Film Review: In “Motherless Brooklyn,” Edward Norton Shines TwiceOctober 31, 2019
Christopher Llewellyn ReedFeaturedFestivalsInterviewsSundance Interview with Director Matt Tyrnauer of “Where’s My Roy Cohn?”September 20, 2019
Christopher Llewellyn ReedFilm ReviewsSpecialty Releases Film Review: Fascinating, Complex “Hillbilly“ Champions Truth over StereotypesAugust 14, 2019
BreakingChristopher Llewellyn ReedFilm Reviews Film Review: “BlacKkKlansman” Serves up Serious Racial Satire with a Contemporary BiteAugust 14, 2018
