Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightToronto International Film Festival TIFF Review: Like It or Not, “Jagged” Is All About AlanisSeptember 19, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: In Delightful “CODA,” Music and Love Conquer AllAugust 12, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Respect” Offers Very Little to Its SubjectAugust 12, 2021
BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Vivo” Is Fun but Surprisingly EmotionalAugust 6, 2021
Christopher Llewellyn ReedFeatured SpecialtyFFT Festival CoverageFilm ReviewsSpotlightTribeca Tribeca Review: “a-ha: the Movie” Is a Delight for Casual and Diehard Fans AlikeJune 15, 2021
Featured SpecialtyFilm ReviewsRobin C. FarrellSpotlight Film Review: “Los Hermanos/The Brothers” Is Beautiful, Sad and Joyous All at OnceMay 13, 2021
BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Shoplifters of the World” Offers a Specific, Yet Universal, Viewing ExperienceMarch 25, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSXSW SXSW Review: “Soy Cubana” Offers Music as DiplomacyMarch 22, 2021
Featured SpecialtyFestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion”February 10, 2021
Featured SpecialtyFilm ReviewsPatrick HowardSpotlight Film Review: “Gordon Lightfoot: If You Could Read My Mind” Shines Light on the Unsung Hero of Canadian MusicJuly 29, 2020
