Christopher Llewellyn ReedFeatured SpecialtyFFT Festival CoverageFilm ReviewsSpotlightTribeca Tribeca Review: “a-ha: the Movie” Is a Delight for Casual and Diehard Fans AlikeJune 15, 2021
Featured SpecialtyFilm ReviewsRobin C. FarrellSpotlight Film Review: “Los Hermanos/The Brothers” Is Beautiful, Sad and Joyous All at OnceMay 13, 2021
BreakingFilm ReviewsRobin C. FarrellSpotlight Film Review: “Shoplifters of the World” Offers a Specific, Yet Universal, Viewing ExperienceMarch 25, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightSXSW SXSW Review: “Soy Cubana” Offers Music as DiplomacyMarch 22, 2021
Featured SpecialtyFestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion”February 10, 2021
Featured SpecialtyFilm ReviewsPatrick HowardSpotlight Film Review: “Gordon Lightfoot: If You Could Read My Mind” Shines Light on the Unsung Hero of Canadian MusicJuly 29, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “The High Note” Sings Its Predictable Tune Quite WellMay 28, 2020
Film ReviewsPatrick HowardSpecialty Releases Film Review: “Linda Ronstadt: The Sound of My Voice” Too Contrived for Its Iconic StarSeptember 12, 2019
