Olivia Colman | Film Festival Today

“Wicked Little Letters” Wins with Wit

April 4, 2024

Film Review: The Many Themes of “Empire of Light” Lurk in Dramatic Shadow

December 15, 2022

Film Review: “Scrooge: A Christmas Carol” May Not Impress, but It Mostly Diverts

December 1, 2022

Film Review: In “The Mitchells vs. the Machines,” Family Wins

April 30, 2021

Film Review: “The Father” Offers Style Without Much Substance

March 26, 2021

Top Five from 2018 Middleburg Film Festival

October 28, 2018

TIFF Review: “The Wolves Always Come at Night”
By Christopher Llewellyn Reed
September 13, 2024
The Wolves Always Come at Night (Gabrielle Brady, 2024) 4 out of 5 stars There are many causes for concern on our 21st-century planet, foremost among them the increasing disruptions caused by climate change. Beyond the existential threats to the human race, there is the seemingly less consequential (on the surface, if not in reality) destruction of traditional ways of life. In The Wolves Always Come at Night, director Gabrielle Brady (Island of ... >>
TIFF Review: “Santosh”
By Christopher Llewellyn Reed
September 12, 2024
Santosh (Sandhya Suri, 2024) 3½ out of 5 stars Director Sandhya Suri (Around India with a Movie) moves into narrative filmmaking with Santosh, her fiction debut. The titular lead character is a woman forced to navigate the patriarchal demands of the workplace after her husband, a constable, is killed during a riot. At risk of losing the apartment they shared, Santosh (Shahana Goswami, Zwigato) has few options to remain independent from either ... >>
“Girls Will Be Girls” Finds Honesty in Uncomfortable Moments
By George W. Campbell
September 12, 2024
Girls Will Be Girls (Shuchi Talati, 2024) 4 out of 5 stars In choosing the title for Girls Will Be Girls, writer/director Shuchi Talati (A Period Piece) takes a well-known phrase designed to excuse young men’s unruly behavior and flips it on its head. You will be pleased to learn that this is an apt summary of both the film and its intentions. Marking Talati’s feature-directorial debut, Girls Will Be Girls is a tense coming-of-age story that ... >>
TIFF Review: “I’m Still Here”
By Christopher Llewellyn Reed
September 9, 2024
I’m Still Here (Walter Salles, 2024) 4 out of 5 stars Brazil’s military dictatorship lasted 21 years, from 1964-1985. Starting in the 1970s, the government began to crack down with greater force than before on the voices of dissent, or even just on those perceived to potentially offer resistance. Many such unfortunates were “disappeared,” their bodies never to be recovered. If you wonder why today’s Brazil has reacted more strongly ... >>
TIFF Review: “Temporary Shelter”
By Christopher Llewellyn Reed
September 7, 2024
Temporary Shelter (Anastasiia Bortuali, 2024) 4 out of 5 stars Russia’s invasion of Ukraine has led to widespread trauma inside the latter country, once linked to its larger neighbor through empire. Actually, the first large-scale Slavic state was centered in Kiev (now the capital of Ukraine), though in the centuries following the downfall of Kievan Rus the power shifted East, to Moscow, with a switch West to St. Petersburg under Tsar Peter ... >>

10 Films to See at TIFF 2024
September 3, 2024
The 2024 Toronto International Film Festival (or TIFF) ...>>
That’s a Wrap at DC/DOX 2024
June 19, 2024
As advertised in my curtain raiser last week, I ...>>
Five Films to See at DC/DOX 2024
June 12, 2024
DC/DOX returns for Round 2, running June 13-16 in its ...>>
Five Films to See at Tribeca 2024
June 5, 2024
This year’s Tribeca Film Festival will take place from ...>>
In Memoriam: Morgan Spurlock
May 27, 2024
When I heard about the passing of documentarian Morgan ...>>