Orson Welles | Film Festival Today

Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror
By Hannah Tran
January 23, 2022
Emergency (Carey Williams, 2022) 2½ out of 4 stars. Best friends Kunle and Sean seem like an unlikely pair. Nearly everyone who interacts with them says Sean is a bad influence on Kunle, a thriving biology student who just made it into a Princeton grad program. Whatever their differences, they have one goal in mind: to be the first Black students to complete a legendary party route on one of their last nights in college. Their plans are ... >>
Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed
By Melanie Addington
January 22, 2022
Nothing Compares (Kathryn Ferguson, 2022) 3 out of 4 stars. A woman who speaks her mind always faces consequences. And for some, redemption comes too late. It is true now and it was very true in 1992 when Sinéad O’Connor spoke out about her own trauma. And yet as Nothing Compares reminds us, O’Connor stood so we could, too, and that change marches on. Thirty years after her fateful Saturday Night Live appearance, Shuhada Sadaqat ... >>
Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg
By Hannah Tran
January 21, 2022
When You Finish Saving the World (Jesse Eisenberg, 2022) 4 out of 4 stars. “Congratulations on your birthday,” says Evelyn, the stiff and intellectual upper-middle class woman who runs a domestic violence shelter. This awkward phrasing and even more awkward delivery typifies the intelligent grasp on character in When You Finish Saving the World, the directorial debut of multi-hyphenate talent Jesse Eisenberg (Resistance). Much like this line of ... >>
Films to Watch (Once Again Virtually) at Sundance 2022
By Christopher Llewellyn Reed
January 19, 2022
This year’s Sundance Film Festival was supposed to take place both in person and virtually, building on the success of 2021’s remote portal, which proved easy to use and brought the great film selections directly into our homes. Sadly, though the organizers had every intent of holding a hybrid event in 2022, Covid’s Omicron variant thought otherwise, and here we are now with a repeat of last year’s format, running runs January 20-30. Not to ... >>
Film Review: “Wheel of Fortune and Fantasy” Spins an Uneven Triptych, but Still Intrigues
By Christopher Llewellyn Reed
January 17, 2022
Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi, 2021) 3 out of 4 stars. Japanese director Ryûsuke Hamaguchi has a clear affinity for exploring the vagaries and tragedies of the human heart. Both films he premiered in 2021 tackle romance and sorrow in intriguingly unique ways. And though his Wheel of Fortune and Fantasy, out now on disc and VOD, may not be quite at the level of his Drive My Car, it is still a formally elegant and emotional ... >>

Victoria Reviews “Dune”
November 3, 2021
Dune’s messiah is a 14 year old scrawny boy. He’s the prettiest and his best friend picks him up ...>>
Victoria Reviews “The Last Duel”
October 18, 2021
Ridley Scott’s THE LAST DUEL is rightfully an epic given the stars and the vast production. And ...>>
Victoria Reviews “Titane”
October 13, 2021
Provocative, daring and fearlessly original. The director, Julia Ducournau, has inherited Lars Von ...>>
Victoria Reviews “No Time To Die”
October 4, 2021
You’ll be thrilled to know that the Woke Army has won. The masculine icon of a 60 year reign is ...>>

Film Review: Controlled to a Fault, “Mank” Offers Mostly Engaging Tribute to the Author of “Kane”

Christopher Llewellyn Reed’s Take on First Two Weeks of NYFF58

Top Five from 2018 Middleburg Film Festival