Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Scare Me” Is More Parody of Horror Than Decent Ode to It September 30, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “LX 2048” is an In-Depth Dystopia with Strong Technological Insights and Huge Awareness of the Modern World September 24, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “The Artist’s Wife” Is a Heartfelt Story and an Engaging Experience September 24, 2020
Adam Vaughn Breaking Series Spotlight Series Review: For Fans of the Franchise, “Jurassic World: Camp Cretaceous” Is a Family-Friendly Addition, Not Daring but Not Disappointing September 17, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “No Escape” Is an Electrifying Experience, If Also an Imperfect One September 17, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: While “Buoyancy” Eventually Becomes Routine, It Still Brings the Viewer on a Tense Adventure September 10, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Babysitter: Killer Queen” Redelivers Comedy, Action and Gore of its Predecessor, but with Less Originality and More Ridiculousness September 9, 2020
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: Kung Fu and Comedy Collide in “The Paper Tigers,” a Story with Good Intentions, but a Mixed-Up Narrative Structure August 31, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “The Shed” Comes with a Loose Script and an Even Looser Concept August 26, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “Love Express: The Disappearance of Walerian Borowczyk” Adds a Sympathetic Light to the Life and Artistry of a Bold and Groundbreaking Director August 20, 2020
